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DUST TO DUST ❅ EVENT
It will take them time to discern the cause. After all, all the artifacts brought back from the fight with Project Prometheus were deemed safe or at least contained, only able to have their dangerous power unleashed if people were dumb enough to try it.
The altheiometer is not the real thing. It was created by the belief of a child, after reading a certain book series, and therefore is more of a symbolic object, with none of the real capabilities of the device in fiction. Instead, it had other magical abilities. It was not entirely understood by the Project itself, just kept there to be studied and eventually co-opted for sinister use if possible. But it had remained inert in their company.
At the Pole, it passes the magical scan, since it technically is "safe," then finally activates. It works on a child's logic, after all. A child would think daemons are cool but wouldn't think bad people deserved them. A child would think the device should only activate to let good guys have daemons.
In the study containing the safer artifacts, the altheiometer opens of its own accord. Gears turn. The hands start clicking as they move in circles around its clock-like face, rotating back and forth between different symbols. The hands finally stop, clicking as they meet in the same spot, on the symbol of an apple, with a bite taken out of it.
It's all very metaphorical isn't it. The soul can't exist without free will. In some worlds they think free will only exists because of an apple in a garden.
There is a burst of light and sound that reverberates through the Pole. As the floor shakes, everyone sees a brief glimpse of the wave as it passes through walls - and then passes through each of them. Getting hit by it is like getting hit by a storm wave in the ocean, briefly lifting everyone off their feet.
Alongside the sensation of being briefly levitated, there is also the painful sensation of suddenly being aware of something deep inside, briefly made to feel almost like a splinter in their very core.
Then, with all the subtlety of getting attacked with a giant hole punch, the splinter is removed, excised. It does hurt, but there is also a strange relief. Except...whatever it was, it's still here. Next to each of the Guardians. Still attached, just...an externality now.
The wave crashes to the shore. They're all knocked to the floor again.
If they were alone in a room, they aren't now. If they weren't alone in a room, said room's occupants have now doubled.
Each PC now temporarily has a daemon. Daemons are the soul externalized, sentient and able to talk. Taking the form of animals, they often shapeshift and change forms during someone's childhood, but settle into a permanent shape during someone's teen years as the person's personality becomes more concrete and distinct.
- Form: A daemon takes an animal form that represents the person's personality. They usually have a gender opposite to their respective person's, but there are sometimes exceptions, sometimes for entirely unknown reasons, or if the person is some flavor of queer. Daemons will know that they're their owner's soul and be able to tell them that.
- Daemon Selection: Here is a page with interpretations of a few animals and what types of personalities they can represent, but please don't take it as law. It's just possible inspiration. The daemons can be any animal. For characters not from Earth, their daemons can be animals that are entirely made up or ones in their canons.
- Link: Daemons are connected metaphysically to their person through an invisible link, allowing that person to still be attached to their soul. Moving too far from your daemon can cause physical and spiritual agony. Suddenly being ripped apart by a great distance can kill someone. Killing a daemon - which is only as hardy as the animal they are - also kills their owner.
- Personalities: Daemon personalities are often similar to their owner's, but sometimes daemons are more willing to be honest about feelings or subconscious impulses. For instance, daemons often instinctually show affection to the daemons of people their owner is fond of. Daemons will remember everything their owner remembers, and was basically there the whole time they were alive, just integrated. Despite being externalized, they aren't something separate from each person, they were always a part of them.
- Physical Contact: People can touch their own daemons without effects and cuddling their daemon can be a positive experience of self-love. Someone hurting their own daemon can feel like they've caused the damage to themselves, and hurts on a spiritual or almost self-hating level. Meanwhile, picking up someone else's daemon without permission can cause incredible discomfort and pain. Alternately, touching someone's daemon with permission can cause comfort, a surge of happiness, or even pleasure, depending on the context of the contact and the relationship the two people have.
❅ Event Length: The plot will last an OOC and IC 2 weeks before they can figure out what's causing the change and reverse it, making the daemons internal again. During this time, allies of the Guardians will temporarily take over their duties and fortunately no major crises will happen. Players can set their own opens during this time as well as play out anything that happens over the whole 2 weeks in this post.
❅ New Characters: If your character is introing at this time, assume they arrived just in time for the magical wave to hit them, or walked into a cloud of its residual energy.
❅ Opt-out: Anyone that doesn't want to play in the plot or have a daemon can handwave Vasilisa's magical defenses caught on to the power surge and her glowing charms protected at least some people in the Pole from the transformation. You can ignore this and thread as if there's just a little extra chaos around the Pole.
❅ Jack Frost: There will also be a network post with Jack explaining what Vasilisa has magically discerned has happened. It will take time to find the source, as the altheiometer is very good at cloaking its readings and registered as "safe." (Technically, it is safe, it's just...inconvenient.)
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He does love the lighter lenses as a means to see Crowley's eyes, though. ]
What are two addendums in the grand scheme of things when you know them both well beforehand? Negligible, I think. [ So negligible. So communicated.
He takes his unofficial softdom position very seriously. ] You do flatter a bit of pink, though.
[ Pink should be grateful as a color to be chosen. ]
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[The... relationship?
Don't worry about it, he's just talking nonsense for the sake of talking nonsense. A familiar tune.]
Or does a bit of pink flatter me? [He takes the glasses off so he can inspect them, as if that might reveal the answer to the question.] Never figured it did, really, clashes with the hair.
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Everything flatters you. I'm sure it's all to do with the shade. [ Which. Hmmm. ] So probably not flamingo pink, in hindsight.
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That hair style I had in Rome did not flatter me, angel. [He's willing to accept that Aziraphale finds him attractive, but there has to be limits. That hair was awful.] Flamingo pink certainly wouldn't have worked.
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Your hair in Rome was-- [ Can't say flattering because it's an abject lie. Crowley's entire look in Rome was a sight to behold. Very sore thumb of him.
But what compliment remains? The hesitation has already lasted long enough to make it clear he's not looking to say "flattering and very handsome." ]
Well. It fit the time. Very precisely sculpted.
[ Not nearly as so-so as the 1793 Crowley hair, even. Not that Aziraphale has a tier list. ]
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He can see Aziraphale doing the mental math on trying to come up with a neutral thing to say and precisely sculpted isn't what he was going to guess, but it is, as expected, amazing.
Crowley laughs hard enough that he has to hold onto the hat lest it fall off.]
And here I was, hoping you were going to be a bitch about it.
[(affectionate)
He loves when Aziraphale is a bitch about things.]
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Meanwhile Timothy is probably glowing with obnoxious "made bae laugh" pride. ]
If you want a dancing monkey, you ought to get out the accordion and play for it.
[ Gottem. ]
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Unfortunately, he doesn't know how to play it, so he's sort of just holding it awkwardly and trying to puzzle out the mechanics as he continues to laugh.]
Might have to wait a minute or two for me to figure this out.
[This is what happens when he's happy and in love: he gets stupid.]
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[ Aziraphale loves him so much. It's despicable. Just look at this demon, he's beautiful and charming and annoying and has never done anything wrong ever. Aziraphale's never wanted to kiss someone so bad in his whole life. ]
And yet the flamingos were where you drew the line.
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As it turns out, this does not translate to playing the accordion, despite their shared quality of having keys. This poor instrument is being awkwardly murdered.]
The flamingoes were atrocious, this is just a bit of fun, if I can make it work.
[He cannot make it work.]
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[ Because damn it sure is not... being made to work. His love. His beloved. Please. ]
Pass it to me when you've finished. I think I still remember how to turn out "God Save The Queen."
[ One serenade deserves another of equal quality. ]
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Oh, you're talking about the anthem, aren't you?
[Not the song by the Sex Pistols.]
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You say that like the answer could possibly be no.
[ There's only one "God Save The Queen." He should know. It's got God in the title and it's about a queen. ]
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[It's easy to sing a couple of lines from a song by the Sex Pistols, since it's not like Johnny Rotten could sing.]
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Crowley is speaking English, he's certain of it. ]
The bloody sex pistols?
[ What the FUCK is a bloody sex pistol. Bebop? Presumably. In this economy? ]
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Johnny Rotten? Sid Vicious? They were all over the damn news during the Silver Jubilee and one of the first bands in the punk movement.
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Well, I do remember the Silver Jubilee, yes. I was in charge of blessing the Queen's travels. [ Of which there were. A lot. Quite a lot. It was a bit much in his opinion, but he supposes humans have a very different view of the passage of time. ] I, I really can't say that the rest of that rings a bell. Modern music moves along so quickly, you know.
[ And also he doesn't like it or listen to it. ]
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[None of this should really be surprising, considering Aziraphale only knows who Queen is because Crowley (and the Bentley) have forced him to listen to so much.]
I'd threaten to make you listen to their album, but you'd bloody hate it. Very loud and not very good.
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[ Then why, his tone implies, should he consider this group important to know about in any capacity? Crowley doesn't even like them, so Aziraphale owes them nothing. ]
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[They are having about six separate conversations at once and all of them are stupid.]
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[ That's a quote!!! Offended owl mode is real. You can't girlboss gaslight gatekeep him on this conversation which is totally making so much sense. The most sense. ]
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[If he wasn't so distracted by this ridiculous argument, he might have realized he's setting Aziraphale up for the perfect insult.]
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I'm sure some people think so. [ To insult outright or not to insult outright... he is considering his options. "No actually I've never liked anything that's objectively a bit rubbish" can't be an option because it's losing, obviously. ] Of course, operating on the theory that all forms of enjoyment are rooted in sincerity, I happen to think calling any of it rubbish wouldn't be sporting.
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[Of course this is the problem Aziraphale has with the concept; it's not sporting.
Crowley loves him so much.]
Sincerity doesn't have t'mean something's objectively good. There's loads of films that are so awful they circle right back 'round to being fun.
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Even objectivity is subjective when it comes to Earthly works, surely?
[ This bitch doesn't doesn't want to say maybe some things he likes are bad. Out here like you'll not snare me in this verbal judo trap (no such trap being laid in the first place will help with that a lot). ]
I suppose we do have a different perspective in that case. Not being Earthly works ourselves, I mean.
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